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Art in Renaissance Italy 1350-1500 (Oxford History of Art) de Evelyn Welch
Descripción - Críticas impressive ... compares well with other recent offerings on the same subject (The Bookseller)Fully and often surprisingly illustrated, carefully annotated and captioned, each combines a historical overview with a nicely opinionated individual approach. (Independent on Sunday)These two books in a new series, the Oxford History of Art, are welcome attempts to assimilate genuine and informed scholarship of the best sort to some, at least, of the ostensible aims of what refers to itself as the 'new' art history. If these volumes are anything to go by, the series will provide authoritative and reliable essays on key aspects of the history of art, in a convenient format and, given the high quality, quantity and range of the illustrations, at an astonishingly reasonable price. This is an extraordinarily wide-ranging book within its brief compass, full of insights and information of a kind not readily met with, and Dr Welch always reminds us of how art appeared and functioned within its context, both historical and topographical. The book is also notably well and clearly written. (Robin Simon, Apollo Magazine: May 1997)thought-provoking ... Accessible and clearly written (Yorkshire Post (Leeds))a superb piece of publishing (Rupert Christiansen, Spectator) Reseña del editor Between the `Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential and exciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works, the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour. Biografía del autor Evelyn Welch is a Lecturer at the Warburg Institute, University of London. Her publications include Art and Authority in Renaissance Milan (Yale, 1995).
Detalles del Libro
- Name: Art in Renaissance Italy 1350-1500 (Oxford History of Art)
- Autor: Evelyn Welch
- Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
- Tamaño del archivo: 8 MB
- Tipos de archivo: PDF Document
- Descargada: 125 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Art in Renaissance Italy 1350-1500 Oxford History of Art ~ Art in Renaissance Italy 1350-1500 Oxford History of Art: : Welch, Evelyn: Libros en idiomas extranjeros
Art in Renaissance Italy, 1350-1500 : Welch, Evelyn S ~ Previous ed. published as: Art and society in Italy, 1350-1500. 1997
Art in Renaissance Italy - Evelyn Welch - Oxford ~ Art in Renaissance Italy 1350-1500 Evelyn Welch Oxford History of Art. A fresh picture of Italian art between the "Black Death" in the mid-fourteenth century and the French invasions at the end of the fifteenth.
Arte y sociedad en Italia 1350-1500 - - Descalibros pdf ~ Art and Society in Italy 1350-1500 Evelyn Welch presenta una nueva imagen del arte italiano entre la "Muerte Negra" a mediados del siglo XIV y las invasiones francesas a finales del siglo XV. En ella, Florencia ya no es el único centro importante de actividad artística, sino que ocupa su lugar junto a otras ciudades igualmente interesantes y variadas de la península italiana.
La historia ilustrada de Oxford del arte clásico ~ The Oxford History of Western Art Art in Renaissance Italy DescaLibros 2017 - DescaLibros - Este sitio en Español no contiene enlaces para descargar libro pdf, descarga ebooks, leer pdf en línea, leer libro online.
Art in Renaissance Italy, 1350-1500 - Evelyn S. Welch ~ The Italian Renaissance was a pivotal period in the history of Western culture during which artists such as Masaccio, Donatello, Fra Angelico, and Leonardo created some of the world's most influential and exciting works in a variety of artistic fields. Here, Evelyn Welch presents a fresh picture of the Italian Renaissance by challenging traditional scholarship and placing emphasis on .
Art in Renaissance Italy: 1350-1500 (Oxford History ~ Art in Renaissance Italy 1, Paperback by Welch, Evelyn S., ISBN 019284279X, ISBN-13 9780192842794, Brand New, Free shipping in the US A richly illustrated, up-to-date presentation of the early Renaissance period in Italian art, which looks not only at Florence, the traditional focus of such studies, but at several other Italian cities significant in their own right.
: Art in Renaissance Italy: 1350-1500 (Oxford ~ : Art in Renaissance Italy: 1350-1500 (Oxford History of Art) (0787721971689): Welch, Evelyn: Books
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Art in Renaissance Italy: 1350-1500 by Evelyn Welch ~ This is an excellent complementary reading to another account of Art in Renaissance Italy of a more traditional sort. Evelyn Welch is treading on the path first opened by Michael Baxandall when in 1972 he published Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style .
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Art in Renaissance Italy, 1350-1500 (Book, 2000) [WorldCat ~ Get this from a library! Art in Renaissance Italy, 1350-1500. [Evelyn S Welch] -- "Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
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El Juicio Final (Fra Angelico) - Wikipedia, la ~ El Juicio Final (témpera sobre tabla) es una pintura del artista del Renacimiento, Fra Angelico.Fue encargada por la Orden camaldulense para el abad recientemente elegido, el erudito y humanista Ambrogio Traversari. [1] Está datado en distintas fechas: c.1425, 1425-1430 y 1431. [2] [3] [1] Se colocó originalmente en la iglesia de Santa Maria degli Angeli, [2] y ahora está en el museo de .
Arte funerario - Wikipedia, la enciclopedia libre ~ Art in Renaissance Italy, 1350–1500. Oxford: Oxford University Press, ISBN 0-19-284279-X; Wright, John Henry (1886). "Unpublished White Lekythoi from Attika". The American Journal of Archaeology and of the History of the Fine Arts, 2 (4): 385–407